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Author Topic: Hoi An, a World Heritage Site  (Read 231 times)
sunflower
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« on: January 28, 2008, 12:38:58 PM »

Location: Hoi An is an old town down the Thu Bon River, on the coastal plain of Quang Nam Province, about 30 km south of Danang.
         Characteristics: The architectural significance of Hoi An has been recognized by UNESCO, during the 23rd Congress which took place in Marrakech (Morocco) from the 29th of November to the 4th of December, since the town was officially listed as a World Heritage Site.
         
 After a long period of absence from the tourist map, this lovely town started to draw the attention of visitors and researchers at the beginning of the 1980's. What is so special about Hoi An is that this little port town is in an incredible state of preservation. It offers some of the most densely concentrated sights in Vietnam with its old streets bordered with ancient houses and assembly halls, its pagodas, temples, ancient wells and tombs. In total, more than a thousand places of interest.

The architecture of Hoi An is characterised by a harmonious blend of Vietnamese, Chinese and Japanese influences. After many centuries, Hoi An is still respectful of its traditions, folk festivals, beliefs and of its sophisticated culinary art.
                     
Set in a quiet environment, Hoi An is surrounded by peaceful villages, a beautiful river, the sea and sunny beaches. Offshore, Cu Lao Cham Islands are very famous for sheltering their prized birds' nests.

                   
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                   Location: My Son lies in a narrow valley in Duy Tan Commune, Duy Xuyen District, Quang Nam Province. 70km southwest of Danang City, 20km away from the Tra Kieu Citadel, and 40km away from the ancient town of Hoi An.
                       
                       Characteristics: My Son is a group of temple-towers of Cham people. With its great value, in December 1999, the complex of My Son Cham Towers has been recognised as a World Heritage Site by UNESCO.
 Various researches by archaeologists and architects have revealed that at the beginning, there was only one small wooden temple built by King Bhadresvara I in late 4th century. In the 7th century, King Sambhuvarman had it rebuilt, using more durable materials From then on, successive Cham kings, when enthroned, had their temple-towers constructed as offerings to their gods. During seven centuries (7th to 14th century), such temple-towers mushroomed in My Son, turning this land into a cultural, and religious center of the Cham Kingdom.

                   My Son was a complex of constructions, including different temple-towers and stela in various architectural styles. French researchers listed some 70 temple-towers there. However, time and war together have taken their toll on these relics. Now, only 20 temple-towers remain almost intact. The rest have been reduced to ruins. These vestiges are valuable treasures of information for studying the development of Cham culture. During its seven centuries of development, Cham arts produced many works equal to masterpieces of the world. Though less impossing than the Angkor in Cambodia and less diversified than the Pagan site in Myanma, My Son is unique of its kind in Southeast Asia
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